Power and Suffocation

Poder e Sufocamento
Curatorship by Isabel Amado
[MIS – Museu da Imagem e do Som]
August 15 – September 10, 2017



Artists
Armando Prado
Bruno Veiga
Carlos Vergara
Cássio Vasconcellos
Claudio Edinger
Coletivo Garapa
Iatã Cannabrava
João Farkas
Julio Bittencourt
Luiz Garrido
Marcel Gautherot
Marlene Bergamo
Nelson Kon
Pedro David
Tuca Vieira

Exhibition Catalog


Selected Clipping (portuguese)


Invi

Kamado

Individual exhibition by Julio Bittencourt
[Galeria da Gávea]
May 5 – June 24, 2016




selected clipping (portuguese)


Invitation

Invitation

A Modern Woman: Photographs by Gertrudes Altschul

Uma Mulher Moderna: Fotografias de Gertrudes Altschul
Curatorship by Isabel Amado
[Casa da Imagem]
March 7 – June 20, 2015



A Modern Woman
Photographs by Gertrudes Altschul

Dry leaves, paper and plastic flowers, created in the small studio that Gertrude kept with her husband – skills brought along with her luggage from Germany as a survival tool, were in fact inspirational references, and which reframed through photography, result in a work of profound aesthetic rigor, including experiences such as superimposed negatives, construction of small scenes (table top) or simply direct takes, which even as such, continue to seek the loss of reference. 

The solarized leaves, the lines, the contours of objects, all indicate a weight of respect full of expression – to the form, and what is understood by it; What is real? What is palpable? Her work offers total freedom for creation.

As it was for the majority of the photographers of the movement known as the Paulista School, photography was not the main activity of Gertrudes, but it was through it that she explored the concepts of craft, applied her artisanal experience and took advantage of one of the most modern instruments of that time, the photographic camera, as a resource of comprehension and a tool of transformation considered to be an artistic direction.

The solarized vultures are here transformed into seagulls, with the intention to poeticize the cruelty of survival, the branches that emerge squeezed on the right side of the image, show an unexplainable sensuality, the spider web reveals the net of the insect and is transformed into a veil.

Revisiting concepts became a habit in this artist’s life, who left her country of origin running from war, remaining one year without seeing her small son, who not by accident keeps Gertrude’s collection until today.

She wasn't the only, or the first. A woman in a strictly masculine club (and here I refer to the photography as a whole), is at a minimum uncommon and opens the way to deeper research into who these woman were.

[Text by Isabel Amado]


Marcel Giró Moderno

Curatorship with Iatã Cannabrava
[Galeria Bergamin]
November 5 – December 14, 2013




selected clipping (portuguese)

Movimento Coletivo

Opening of the Galeria da Rua and Trecho 2.8 project exhibition
In partnership with Fundação Marcos Amaro
[Galeria da Rua]
March 30 – May 15, 2011


Antonio, Luiz e Bina

Collective exhibition by Antonio Augusto Fontes, Luiz Braga and Bina Fonyat
[Galeria da Gávea]
August 26 – September 30, 2010



Invitation

Invitation

Convergence

Convergência
Collective exhibition by Alexandre Sant’Anna, Ana Carolina Fernandes, Ana Stewart, Antonio Augusto Fontes, Antonio Guerreiro, Bina Fonyat, Bruno Veiga, Julio Bittencourt, Luiz Braga, Marcos Piffer, Marlene Bergamo, Murillo Meirelles, Paulo Jares, Renan Cepeda, Ricardo Azoury, Ricardo Fasanello, Rogério Reis, and Walter Carvalho
[Galeria da Gávea]
August 19 – October 16, 2009


Invitation

Invitation